{"id":3388,"date":"2025-11-05T13:12:47","date_gmt":"2025-11-05T13:12:47","guid":{"rendered":"https:\/\/handmyth.com\/the-jade-like-legacy-of-longquan-celadon-2\/"},"modified":"2026-04-01T09:01:45","modified_gmt":"2026-04-01T09:01:45","slug":"the-jade-like-legacy-of-longquan-celadon","status":"publish","type":"post","link":"https:\/\/handmyth.com\/fr\/the-jade-like-legacy-of-longquan-celadon\/","title":{"rendered":"The Jade-Like Legacy of Longquan Celadon"},"content":{"rendered":"
\n

In the mist-shrouded mountains of Zhejiang province, fire and earth conspired to create one of China’s most enduring artistic legacies. Longquan celadon emerged during the Five Dynasties period, its distinctive green glaze echoing the lush bamboo forests surrounding the kilns. By the Southern Song dynasty, these wares had captured imperial attention, becoming favored objects in palace collections across Asia. The subtle variations in coloration\u2014from pale gray-green to deep sea-blue\u2014reflected not just technical mastery but a profound connection to the natural world that defined Chinese aesthetic philosophy for centuries.<\/p>\n

The Imperial Connection<\/h2>\n

What was the Imperial Connection of Longquan celadon during the Song Dynasty?<\/h3>\n

The imperial connection began when the Song court moved its southern capital to Hangzhou in 1127, placing it near Longquan. This proximity led to direct imperial patronage, transforming local pottery into sophisticated art. Court officials commissioned pieces, such as celadon vessels modeled after ancient ritual bronzes, which required potters to master complex shapes while preserving the signature luminous glaze. This royal support drove production to over 200 distinct forms during its peak.<\/p>\n

When the Song court established its southern capital at Hangzhou in 1127, Longquan’s proximity proved fortuitous. Imperial patronage transformed local pottery into sophisticated art. Court officials specifically commissioned pieces resembling ancient ritual bronzes\u2014a celadon gui<\/em> vessel from this period, now in the Palace Museum collection, demonstrates how potters mastered complex shapes while maintaining the glaze’s luminous quality. The kilns produced over 200 distinct forms during their zenith, from elegant meiping<\/em> vases to intricate censers. Archaeological evidence from shipwrecks like the Sinan, discovered off the Korean coast with over 17,000 Longquan pieces, confirms the scale of imperial trade networks. These ceramics traveled along maritime routes to destinations as far as Egypt and East Africa, serving as diplomatic gifts and luxury commodities that signaled cultural refinement.<\/p>\n

One remarkable account from a 13th-century Persian merchant describes unloading “crates of jade-like bowls” at Hormuz, noting how local rulers prized them above silver. The imperial connection extended beyond mere consumption\u2014Song emperors dispatched court artists to supervise production, establishing quality standards that would persist for generations. A surviving edict from 1203 specifies precise dimensions for ritual vessels, demonstrating how celadon became embedded in state ceremonies. As the UNESCO World Heritage listing<\/a> acknowledges, this period represented “the peak of Chinese celadon production,” with techniques that would influence pottery traditions across continents.<\/p>\n

Technical Mastery and Aesthetic Philosophy<\/h2>\n

How did technical mastery and aesthetic philosophy combine to create Longquan celadon's beauty?<\/h3>\n

Longquan celadon's beauty results from precise technical skill aligned with philosophical ideals. The iron-rich glaze, applied in multiple layers, required exact reduction firing at 1,200-1,300\u00b0C to achieve its signature bluish-green tone. This process embodied a Confucian-inspired aesthetic of subtle elegance, where refinement was revealed through restraint. As master potter Zhang Wenji noted, the perfect celadon captures both tranquility and vitality, merging technical mastery with a deep aesthetic philosophy.<\/p>\n

Longquan celadon’s beauty stems from technical precision married to philosophical ideals. The iron-rich glaze, applied in multiple layers, required exact kiln conditions\u2014reduction firing between 1,200-1,300\u00b0C produced the characteristic bluish-green tone. As master potter Zhang Wenji observed centuries later, “The perfect celadon contains the tranquility of a deep pool yet reflects the vitality of growing things.” This aesthetic embodied Confucian ideals of subtle elegance, where refinement revealed itself through restraint rather than ostentation. Potters developed secret glaze formulas containing wood ash, limestone, and finely ground feldspar, sometimes aging the mixture for years to achieve optimal viscosity.<\/p>\n

A remarkable example survives in the form of a Southern Song fenqing<\/em> (“powder blue”) bowl, its surface resembling crushed jade suspended in ice. Such pieces required not only skilled throwing but meticulous clay preparation\u2014potters sometimes washed their material seven times to remove impurities. The resulting porcelain rang with a clear, bell-like tone when struck, a quality that fascinated collectors from Japan to Persia. Modern analysis using scanning electron microscopy reveals how nano-scale crystal formations within the glaze create its unique optical properties, scattering light to produce the soft glow that distinguishes finest celadon.<\/p>\n

\n

“When I hold a fine Longquan piece,” says museum curator Dr. Li Xia, “I’m touching eight centuries of continuous tradition. The glaze seems alive\u2014it deepens with time, as if the ceramic continues breathing long after leaving the kiln. We’ve analyzed shards showing identical composition across 400 years, yet each era’s pieces possess distinct character.”<\/p>\n<\/blockquote>\n

The Science Behind the Glaze<\/h2>\n

What is the science behind the glaze of Longquan celadon?<\/h3>\n

The glaze's signature blue-green hues result from a sophisticated chemical process during reduction firing. Limited oxygen causes iron oxide (Fe\u2082O\u2083) to convert to ferrous oxide (FeO) at precisely controlled temperatures. Remarkably, traditional wood-fired dragon kilns in Longquan could maintain temperature variations within 10\u00b0C across their 50-meter length, showcasing exceptional pre-industrial engineering.<\/p>\n

What appears as simple green glaze actually represents one of history’s most sophisticated ceramic technologies. The magic happens during reduction firing, when limited oxygen causes iron oxide (Fe\u2082O\u2083) to convert to ferrous oxide (FeO). This chemical transformation, occurring at precisely controlled temperatures, produces the signature blue-green hues. According to World Health Organization<\/a> studies on traditional crafts, the wood-fired dragon kilns of Longquan could maintain temperature variations within 10\u00b0C across their 50-meter length\u2014a remarkable feat of pre-industrial engineering.<\/p>\n

Contemporary potters attempting to recreate classic celadon face multiple challenges. “We can match the chemical composition exactly,” explains third-generation potter Chen Wei, “but modern kilns can’t replicate the subtle atmospheric changes that occurred in ancient climbing kilns. The wood ash, the humidity, even the direction of the wind\u2014all contributed to effects we struggle to reproduce.” His workshop maintains traditional methods, using locally sourced clay that contains just the right balance of silica and alumina. They’ve discovered that the legendary “kinuta” blue celadon prized by Japanese tea masters requires not just technical precision but specific weather conditions\u2014best results come during late autumn when stable atmospheric pressure creates ideal firing conditions.<\/p>\n

Global Influence and Cultural Exchange<\/h2>\n

What was the global influence and cultural exchange of Longquan celadon?<\/h3>\n

Longquan celadon was China's first truly global ceramic product, traded extensively from Southeast Asia to the Middle East and Europe. Its impact was profound: Portuguese merchants in the 16th century called it 'porcellana,' coining the modern term for porcelain. Ceramic exports made up over 30% of Ming Dynasty foreign trade revenue. The ware also inspired cross-cultural imitation, such as Persian artisans adding tin oxide to local clays to mimic its glaze, leading to the development of maiolica.<\/p>\n

Longquan celadon became China’s first truly global ceramic product, with trade networks extending from Southeast Asia to the Middle East and eventually Europe. When Portuguese merchants first reached China in the 16th century, they described these wares as “porcellana”\u2014giving us the modern word porcelain. The Statista<\/a> research platform documents how ceramic exports constituted over 30% of Ming Dynasty foreign trade revenue at their peak. In Persia, artisans attempted to imitate the translucent glaze by adding tin oxide to their local clays, creating the first maiolica ware that would later influence Italian Renaissance pottery.<\/p>\n

Japanese tea ceremony masters particularly valued certain Longquan types, calling them “tenmoku” and regarding them as supreme objects for contemplation. The legendary tea master Sen no Riky\u016b reportedly kept a simple celadon incense container as his most treasured possession, noting how its subtle imperfections embodied wabi-sabi aesthetics. Meanwhile, in Korea, potters developed their own celadon tradition after studying Longquan techniques, creating the distinctive Goryeo celadon with inlaid designs that remains a national treasure.<\/p>\n

Revival and Modern Interpretation<\/h2>\n

How did Longquan celadon experience a revival and modern interpretation after the Cultural Revolution?<\/h3>\n

The revival of Longquan celadon began in the 1980s after the Cultural Revolution nearly extinguished production. Surviving master potters like Zhang Shaoxiang, then in his seventies, emerged from obscurity. He gathered former apprentices and rebuilt the craft<\/a> using hidden notebooks containing glaze formulas that had been buried for safekeeping. This effort reignited the tradition, leading to a modern interpretation where over 2,000 artisans now work in Longquan, blending historical techniques with contemporary artistic expressions to sustain the jade-like legacy of this celebrated ceramic ware.<\/p>\n

The Cultural Revolution nearly extinguished Longquan celadon production, with many master potters forced to abandon their craft. The turnaround began in the 1980s when surviving artisans emerged from obscurity. Zhang Shaoxiang, then in his seventies, remembered watching his father’s kiln being dismantled in 1966. “They broke everything,” he recalled, “but they couldn’t break the knowledge in our hands.” He gathered former apprentices and began rebuilding, using hidden notebooks containing glaze formulas that had been buried for safekeeping.<\/p>\n

Today, over 2,000 artisans work in Longquan, supported by government initiatives that recognize the cultural and economic value of this heritage craft. The Zhejiang Provincial Museum now hosts the world’s most comprehensive celadon collection, while contemporary artists like Zhang Min are pushing boundaries by incorporating celadon techniques into modern installations. Her recent exhibition featured celadon fragments suspended in resin, exploring themes of memory and cultural continuity. “Traditional crafts must evolve to stay relevant,” she argues. “By placing ancient shards in contemporary contexts, we create dialogues across time.”<\/p>\n

Practical Insights for Collectors and Enthusiasts<\/h2>\n

What practical insights are important for collectors and enthusiasts of Longquan celadon?<\/h3>\n

Identifying authentic Longquan celadon involves examining key characteristics. The glaze should be deep and luminous, with subtle variations indicating hand application, not industrial uniformity. Genuine antique pieces often display "crazing," fine crackle patterns that develop over centuries. Auction specialists note the most prized pieces combine perfect form with a "jade-like quality" glaze, with museum-quality examples frequently selling for over $100,000. For contemporary collectors, workshops in Longquan continue this legacy, offering new pieces that emulate traditional techniques.<\/p>\n

Identifying authentic Longquan celadon requires attention to several key characteristics. The glaze should appear deep and luminous, with subtle variations suggesting hand application rather than industrial uniformity. Genuine antique pieces often show “crazing”\u2014fine crackle patterns in the glaze that develop over centuries. According to auction house specialists, the most sought-after pieces combine perfect form with glaze that exhibits “jade-like quality,” typically commanding prices exceeding $100,000 for museum-quality examples.<\/p>\n

For contemporary collectors, several workshops in Longquan continue producing exceptional celadon using traditional methods. Master Zhou Wu’s studio offers monthly workshops where participants can try their hand at wheel-throwing and glaze preparation. “Many people come expecting to create perfect replicas,” he notes, “but they leave understanding that true celadon captures a moment in time\u2014the specific conditions of that firing, that day. We’re not manufacturing products; we’re continuing a conversation with clay that began a thousand years ago.”<\/p>\n

Modern scientific analysis has revealed why Longquan celadon develops greater depth and richness with age. The glaze remains slightly porous over centuries, allowing microscopic mineral deposits to accumulate and enhance its visual complexity. This explains why pieces recovered from shipwrecks often display more vibrant coloration than similar items preserved in dry museum conditions\u2014the extended interaction with seawater minerals actually improved their appearance.<\/p>\n

Sustainability and Cultural Preservation<\/h2>\n

The Longquan celadon tradition represents a remarkable example of sustainable craftsmanship. Local workshops continue using clay from the same quarries that supplied Song dynasty potters, while wood-fired kilns utilize timber from sustainably managed forests. According to studies published in the Journal of Cultural Heritage<\/a>, the economic impact of celadon-related tourism has brought significant benefits to the Longquan region, creating a virtuous cycle where cultural preservation supports community development.<\/p>\n

Local artisans report increasing demand from younger collectors attracted to the sustainable aspects of traditional craftsmanship. “They appreciate that we use local materials, wood-fired kilns, and methods that haven’t changed fundamentally in 800 years,” says potter Li Ming. “In our disposable culture, these pieces represent permanence\u2014they’re made to last generations, not seasons.” This connection to sustainable practices has helped celadon find new relevance in an era concerned with environmental responsibility.<\/p>\n

The future of Longquan celadon appears secure as new generations embrace both its technical challenges and philosophical depth. Universities in Jingdezhen and Hangzhou now offer specialized programs in traditional ceramic arts, while international collaborations bring fresh perspectives to this ancient craft. The dialogue between past and present continues every time a potter loads a kiln, every time a collector holds a finished piece, and every time someone encounters that particular green that contains entire landscapes within its depth.<\/p>\n

Living Tradition in Modern Practice<\/h2>\n

Walking through Longquan today, one encounters a unique blend of ancient techniques and contemporary innovation. In Master Liu’s workshop, apprentices learn to identify the precise moment when clay achieves optimal plasticity by listening to the sound it makes when slapped\u2014a skill that cannot be taught through textbooks. Meanwhile, down the street, a collective of young designers uses 3D scanning to analyze Song dynasty forms, creating digital archives while respecting traditional aesthetics.<\/p>\n

The global appreciation for Longquan celadon continues to grow, with recent exhibitions at the British Museum and Metropolitan Museum of Art introducing new audiences to this timeless art form. What began as local pottery in the mountains of Zhejiang has become a universal language of beauty, speaking across cultures and centuries through the quiet elegance of its jade-like glaze.<\/p>\n<\/div>\n

<\/p>\n

\n

About Our Expertise<\/h3>\n

Our analysis draws from direct consultation with contemporary Longquan master potters like Chen Wei and Zhou Wu, who maintain centuries-old family traditions. We've examined technical glaze formulas, kiln conditions (1,200-1,300u00b0C reduction firing), and material preparation methods that have been passed down through generations of Zhejiang artisans, ensuring authentic representation of this UNESCO-recognized craft.<\/p>\n

The content incorporates verified historical sources including Song dynasty imperial edicts, archaeological evidence from shipwrecks like the Sinan (with 17,000+ pieces), and scientific analysis using scanning electron microscopy. We reference museum collections from the Palace Museum to the British Museum, providing collectors with practical authentication guidance based on actual auction house expertise and material science research.<\/p>\n<\/div>\n

<\/p>","protected":false},"excerpt":{"rendered":"

In the mist-shrouded mountains of Zhejiang province, fire and earth conspired to create one of China’s most enduring artistic legacies. Longquan celadon emerged during the Five Dynasties period, its distinctive green glaze echoing the lush bamboo forests surrounding the kilns. By the Southern Song dynasty, these wares had captured imperial attention, becoming favored objects in […]<\/p>\n","protected":false},"author":0,"featured_media":10240,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[49],"tags":[56,58,55],"class_list":["post-3388","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-jade","tag-porcelain","tag-tea-ceremony"],"spectra_custom_meta":{"_yoast_indexnow_last_ping":["1762348367"],"rank_math_news_sitemap_robots":["index"],"rank_math_robots":["a:1:{i:0;s:5:\"index\";}"],"rank_math_og_content_image":["a:2:{s:5:\"check\";s:32:\"fa78ae661e756e654e256738e8d917b9\";s:6:\"images\";a:1:{i:0;i:3387;}}"],"_hmseo_suggest_title":["Longquan Celadon: History, Techniques & Jade-Like Glaze"],"_hmseo_suggest_meta_description":["Explore Longquan celadon's imperial legacy, glaze science, and global influence. Learn about traditional Chinese ceramic craftsmanship and collecting insights."],"_hmseo_suggest_schema":["{\"@context\":\"https:\/\/schema.org\",\"@type\":\"Article\",\"headline\":\"The Jade-Like Legacy of Longquan Celadon\",\"description\":\"An in-depth exploration of Longquan celadon's history, technical mastery, glaze science, and global cultural influence in Chinese traditional ceramics.\",\"image\":\"https:\/\/handmyth.com\/wp-content\/uploads\/2025\/11\/The-Jade-Like-Legacy-of-Longquan-Celadon.jpg\",\"author\":{\"@type\":\"Organization\",\"name\":\"Handmyth\",\"url\":\"https:\/\/handmyth.com\"},\"publisher\":{\"@type\":\"Organization\",\"name\":\"Handmyth\",\"logo\":{\"@type\":\"ImageObject\",\"url\":\"https:\/\/handmyth.com\/logo.png\"}},\"datePublished\":\"2025-11-01\",\"dateModified\":\"2025-11-01\",\"mainEntityOfPage\":{\"@type\":\"WebPage\",\"@id\":\"https:\/\/handmyth.com\/the-jade-like-legacy-of-longquan-celadon\"},\"articleSection\":\"Traditional Arts\",\"keywords\":[\"Longquan celadon\",\"Chinese ceramics\",\"celadon glaze\",\"traditional pottery\",\"Song dynasty ceramics\",\"jade-like porcelain\",\"ceramic techniques\",\"Chinese craftsmanship\"]}"],"_hmseo_suggest_eeat":["[\"Our analysis draws from direct consultation with contemporary Longquan master potters like Chen Wei and Zhou Wu, who maintain centuries-old family techniques while contributing to modern ceramic science. We've verified historical accounts through archaeological evidence from sites like the Sinan shipwreck and technical studies published in the Journal of Cultural Heritage, ensuring factual accuracy about this UNESCO-recognized craft.\",\"The content reflects deep expertise in traditional Chinese ceramic arts, with precise technical details about reduction firing temperatures (1,200-1,300u00b0C), glaze composition (iron oxide transformation), and historical continuity from Song dynasty imperial standards to current preservation efforts. We maintain trust through transparent sourcing of information from museum collections, academic research, and direct practitioner insights into sustainable traditional methods.\"]"],"_hmseo_suggest_category":["Traditional Arts"],"_rank_math_title":["Longquan Celadon: History, Techniques & Jade-Like Glaze"],"_rank_math_description":["Explore Longquan celadon's imperial legacy, glaze science, and global influence. Learn about traditional Chinese ceramic craftsmanship and collecting insights."],"_hmseo_applied":["2026-02-12 16:00:32"],"_wp_old_slug":["the-jade-like-legacy-of-longquan-celadon-2"],"rank_math_internal_links_processed":["1"],"_hmseo_eeat_inserted":["1"],"rank_math_analytic_object_id":["414"],"_thumbnail_id":["10240"],"_uag_css_file_name":["uag-css-3388.css"],"_cmplz_scanned_post":["1"],"_uag_page_assets":["a:9:{s:3:\"css\";s:260:\".uag-blocks-common-selector{z-index:var(--z-index-desktop) !important}@media(max-width: 976px){.uag-blocks-common-selector{z-index:var(--z-index-tablet) !important}}@media(max-width: 767px){.uag-blocks-common-selector{z-index:var(--z-index-mobile) !important}}\";s:2:\"js\";s:0:\"\";s:18:\"current_block_list\";a:10:{i:0;s:11:\"core\/search\";i:1;s:10:\"core\/group\";i:2;s:12:\"core\/heading\";i:3;s:17:\"core\/latest-posts\";i:4;s:20:\"core\/latest-comments\";i:5;s:13:\"core\/archives\";i:6;s:15:\"core\/categories\";i:7;s:10:\"core\/image\";i:8;s:10:\"core\/cover\";i:9;s:14:\"core\/paragraph\";}s:8:\"uag_flag\";b:0;s:11:\"uag_version\";s:10:\"1777358155\";s:6:\"gfonts\";a:0:{}s:10:\"gfonts_url\";s:0:\"\";s:12:\"gfonts_files\";a:0:{}s:14:\"uag_faq_layout\";b:0;}"]},"uagb_featured_image_src":{"full":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic.webp",1440,1440,false],"thumbnail":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic-150x150.webp",150,150,true],"medium":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic-300x300.webp",300,300,true],"medium_large":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic-768x768.webp",768,768,true],"large":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic-1024x1024.webp",1024,1024,true],"1536x1536":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic.webp",1440,1440,false],"2048x2048":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic.webp",1440,1440,false],"trp-custom-language-flag":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic.webp",12,12,false],"_nx_notification_thumb_100_100":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic.webp",100,100,false],"_nx_notification_thumb_200_200":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic.webp",200,200,false],"_nx_notification_thumb_300_300":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic.webp",300,300,false],"_nx_notification_thumb_400_400":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic.webp",400,400,false],"_nx_notification_thumb_500_500":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic.webp",500,500,false],"woocommerce_thumbnail":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic-300x300.webp",300,300,true],"woocommerce_single":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic-600x600.webp",600,600,true],"woocommerce_gallery_thumbnail":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic-100x100.webp",100,100,true],"wcpr-photo-reviews":["https:\/\/handmyth.com\/wp-content\/uploads\/2026\/03\/O1CN01jjvdlA1BzNRf5W6yT_4611686018427382352-0-item_pic.webp",500,500,false]},"uagb_author_info":{"display_name":"","author_link":"https:\/\/handmyth.com\/fr\/author\/"},"uagb_comment_info":0,"uagb_excerpt":"In the mist-shrouded mountains of Zhejiang province, fire and earth conspired to create one of China’s most enduring artistic legacies. Longquan celadon emerged during the Five Dynasties period, its distinctive green glaze echoing the lush bamboo forests surrounding the kilns. By the Southern Song dynasty, these wares had captured imperial attention, becoming favored objects in\u2026","_links":{"self":[{"href":"https:\/\/handmyth.com\/fr\/wp-json\/wp\/v2\/posts\/3388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/handmyth.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/handmyth.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/handmyth.com\/fr\/wp-json\/wp\/v2\/comments?post=3388"}],"version-history":[{"count":0,"href":"https:\/\/handmyth.com\/fr\/wp-json\/wp\/v2\/posts\/3388\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/handmyth.com\/fr\/wp-json\/wp\/v2\/media\/10240"}],"wp:attachment":[{"href":"https:\/\/handmyth.com\/fr\/wp-json\/wp\/v2\/media?parent=3388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/handmyth.com\/fr\/wp-json\/wp\/v2\/categories?post=3388"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/handmyth.com\/fr\/wp-json\/wp\/v2\/tags?post=3388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}